Germany's first music supervising agency






























Our comprehensive music supervising services for film & television
As Germany's first music supervising agency, we offer you comprehensive support from the initial idea to final marketing. Our services cover all aspects of film music production and guarantee professional results.

Music Supervision
For optimal planning, we are happy to develop initial concepts for your film and TV productions right from the script phase - from musical ideas to precise calculation of the music budget. The work process takes place in close cooperation with production, direction and editing — as a constant point of contact, we will support you from material development to shooting and launch.

Copyright Clearance & Licensing
We identify and clarify all required music rights for your production in accordance with instructions. In addition, all communication with labels, publishers and rights holders is handled and contract negotiations are conducted with the rights holders. With over 30 years of experience, we ensure legal certainty, optimal speed and good conditions.

Music Team & Project management
The optimal musical line-up for your project can be facilitated by our support with the appropriate line-up of composers, songwriters and music producers. Our briefing is aimed at coordinating and timely processing of time processes, budgets and feedback loops — for a smooth production process.

Contract preparation and negotiation
We review license agreements as well as music and composer contracts and offer you all draft contracts — as an experienced interface for Composer Deals, we will advise you on complex licensing agreements.

Music Publishing
With over 50 established producer publishers, we are an experienced partner nationally and internationally for sustainable music distribution with a focus on film music. We administer the repertoire of our composers and producer publishers with the latest ALV software and guarantee maximum income through precise billing and GEMA complaints. Through our network of international sub-publishing partners, we also ensure worldwide distribution and administration in CWR format.
Internationally represented by our sub-publishing partners: Schedler Music (AT & CH), Budde Music France, Peer Music (UK), Royalty Network (USA), Café Concerto (Italy), Alondra Music (Spain & Portugal), Edition Björlund (Scandinavia), Collect Music Publishers (Benelux)

Soundtrack Label
We ensure the perfect timing and smooth implementation of your soundtrack releases: Parallel to the start of the film or series and with the option of nationwide radio sampling of their title song, we offer a tailor-made promotion strategy in close cooperation with the composers. This also promotes the project on the market, among partners and composers and contributes to music publishing cooperation.





















































News & Updates
The latest news from the world of DAYDREAM

MOMO: DAYDREAM launches title song & music clip from MALOU x TOKIO HOTEL
“One More Day” (original motion picture soundtrack 'Momo') by MALOU X TOKYO HOTEL will be released on September 19, 2025

“PUMUCKL UND DAS GROßE MISSVERSTÄNDNIS” - Soundtrack released by DAYDREAM
„Pumuckl und das große Missverständnis“ (Production by NeueSuper) starts in cinemas on October 30, 2025 distributed by Constantin Film. The Soundtrack by Michi Regner will be released via DAYDREAM.

"HIGH STAKES" Soundtrack erscheint bei DAYDREAM
From 5/9/25, the soundtrack by Sebastian Fillenberg will be released on DAYDREAM. The series runs linearly from 14/09/25

“REMBETIS” or sausage?
ZDF Neo zeigt ab 25. Juli die Comedy-Mystery-Serie über die griechische Familie REMBETIS, die in Köln eine Gyrosbude betreibt, aber eigentlich eine Familie von Geisterjägern ist.
More news

Bernd Burgemeister Prize for “DIE NICHTE DES POLIZISTEN"

MOMO shot and already in post-production

Skate movie “GET UP” with title song by BABY B3NZ

Two RAT PACK productions in Netflix charts

Filmography

Der Vierer
Der Vierer

About this project
Relationship comedy about a couple who want to revive their fallen asleep love life through a planned “foursome.” An evening full of secrets, escalating tensions and revelations provides pointed dialogue and emotional nuances, spanned by a convincing ensemble of Florian David Fitz, Julia Koschitz, Friedrich Mücke and Lucía Barrado.
Productiondetails
· Year: 2024 (theatrical release November 28, 2024)
· Production: Neos Film GmbH & Co. KG, Wiedemann & Berg Film Production, EPO Film
· Director: Iván Sáinz-Pardo
· Music: Philipp Fabian Kölmel
DAYDREAM
Music Supervising
- Song concept/song suggestions on picture (via ProTools)
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
soundtrack
- Preparation for phonogram release
- Release of the soundtrack on all platforms
- Sampling for the start

Der Wixxer
Der Wixxer

About this project
The parody of classic Edgar Wallace crime stories follows Scotland-Yard investigators Inspector Even Longer and Inspector Very Long, played by Oliver Kalkofe and Bastian Pastewka. In a humorous crime adventure, they try to capture the mysterious “jerk off,” with absurd situations and genre-typical allusions shaping the tone. The soundtrack of the film, with the participation of Helmut Zerlett, integrates classic crime motifs and jazzy elements that react humorously to the plot. The title song “Wixxer theme” was released as a single.
Awards:
Jupiter Award 2005 (Best German Film), German Comedy Award 2004 (Best Feature Film), DVD/Video Champion 2005 (German Film/Special Edition)
Productiondetails
· Year: 2004
· Production: Rat Pack film production, Constantin Film
· Director: Cyrill Boss & Philipp Stennert
· Music (Score & Soundtrack): Helmut Zerlett
DAYDREAM
Music Supervising
- Song concept/song suggestions
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
soundtrack
- Preparation for phonogram release
- Release of the soundtrack with Embassy of Music
- Sampling and promotion (album) in all media at the start
- Title song/music video - promotion in all media

Der letzte Bulle
Der letzte Bulle

About this project
Mick Brisgau, a police officer from the 1980s, comes back to life after 20 years of coma in the modern world. In the feature film version of the popular TV series, he not only has to deal with the changed society, but also with unsolved cases from his past. The score was composed by Thomas Klemm, while the soundtrack includes the track “Real Wild Child (Wild One)” by Iggy Pop, which serves as theme music. Other well-known songs from the 1980s, such as “I Don't Like Mondays” by The Boomtown Rats and “Need You Tonight” by INXS, are also part of the soundtrack.
Awards:
Bavarian Television Award 2022 — Audience Award “Most Popular Television Film”, DaffNE — German Academy of Television — Award for Marcel Stefanski (stunt coordination), DaffNE — German Academy of Television — Award for Cecilia Diesch (costume design).
Productiondetails
- Year: 2019
- Director: Peter Thorwarth
- Screenplay: Stefan Holtz, Peter Thorwarth
- Production: Christian Becker, Tina Kringer
- Film music: Thomas Klemm
- Soundtrack: Includes “Real Wild Child (Wild One)” by Iggy Pop and other songs from the 1980s
DAYDREAM
Music Supervising
- Composers - Casting
- Song concept/song suggestions on the picture
- Rights statements
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Preparation for phonogram release
- Release of the soundtrack on all platforms
- Sampling for the start

Die drei !!!
Die drei !!!

About this project
Franzi, Kim and Marie — three very different girlfriends — take part in a theatre project during the summer vacation, in which the play Peter Pan should be listed. During rehearsals, ever more strange incidents occur: flickering light, noises, mysterious smudges and a threatening message. The young team of detectives investigates and uncovers a hidden secret surrounding a fire in the theatre. The score was composed by Riad Abdel-Nabi; the soundtrack was created especially for the film, including the title song with Mia: “Always Us (Stereoact Remix Edit)”.
Productiondetails
- Year: 2019
- Production: RatPack movie
- Director: Viviane Andereggen
- Distribution: Constantin Film
- Music: Riad Abdel-Nabi
- title song: “Always Us (Stereoact Remix Edit)”
DAYDREAM
Music Supervising
- Composer - Casting
- Song concept/song suggestions on the picture (via ProTools)
- Rights statements (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
soundtrack
- Preparation for soundcarrier release
- Release of the soundtrack with Embassy of Music
- Sampling and promotion in all media (at launch)

Elser - Er hätte die Welt verändert
Elser - Er hätte die Welt verändert

About this project
Historical drama about Georg Elser, who planned an assassination attempt on Adolf Hitler in 1939 to prevent the Second World War. The film shows the meticulous preparation of his project, the personal risks for Elser and the consequences of his failure. At the same time, the film addresses the importance of resistance and the culture of remembrance by embedding Elser's actions in the historical context and raising the question of moral responsibility in times of political violence. The film music is by David Holmes.
Awards: Bavarian Film Awards 2015: Best Feature Film, Best Production, Best Director (Oliver Hirschbiegel), German Film Awards 2015: Nominations for Best Actor (Christian Friedel), Best Supporting Actor (Burghart Klaußner), Best Camera, Best Editing
Productiondetails
· Year: 2015
· Production: Lucky Bird, Philipp Filmproduktion
· Director: Oliver Hirschbiegel
· Music: David Holmes
DAYDREAM
Music Supervising
- Copyright Clearance
- Contract negotiations with David Holmes
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network

Es ist nur eine Phase, Hase
Es ist nur eine Phase, Hase

About this project
A comedy based on the bestseller by Maxim Leo and Jochen Gutsch: Paul Mann, a writer, and his wife Emilia feel that they are in so-called “age confidence.” Physical and emotional changes begin at the end of 40, and the relationship becomes an emotional crisis as a result of an affair. The score was composed by Enis Rotthoff. The title song “Ich wär so gern gut” by Judith Holofernes was released specifically for the film.
Productiondetails
- Year: 2021
- Director: Florian Gallenberger
- Screenplay: Florian Gallenberger, Malte Welding
- Production: Majestic Film Production GmbH, VIAFILM, ARD Degeto
- Film music: Enis Rotthoff
- Title song: “I would love to be good” — Judith Holofernes
DAYDREAM
Music Supervising
- Song concept/song suggestions (via ProTools)
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Acquisition and preparation of the phonogram release
- Release of the soundtrack on CD and digitally
- Sampling at the start
The DAYDREAM team.
Your experts for music
Supervising & Publishing
For over 30 years, our team has combined creativity, expertise and passion for film music. From music supervision to legal affairs to publishing — our experts support you with decades of experience and a network of over 350 successful productions.

Klaus Jan Frers

Klaus Jan Frers
Expertise
- Music Supervision
- A&R Management
- Strategic corporate management
- International contract negotiations
Erfahrung

Florian Sonnleitner

Florian Sonnleitner
Expertise
- Music Supervision
- Clearance Management
- Score Supervision
- Musical dramaturgy
Erfahrung

Dr. Sabine Meier

Dr. Sabine Meier
Expertise
- Music Publishing
- publishing law
- license management
- Legal advice
Erfahrung

Franko van Lankeren

Franko van Lankeren
Expertise
- Music Supervision
- Legal Affairs
- contract law
- International declaration of rights
Erfahrung

Amra Frers

Amra Frers
Expertise
Specialized in publishing administration, modern label management and digital music marketing.
Erfahrung
Contact
Contact us for your next project.
On site
D-81247 München
Onboarding for optimal collaboration
Find out how working with DAYDREAM at an early stage ensures your project success.
Early contact doesn't just help for reliable figures!
Even during the financing phase, we can often provide legal, economic and content experience in music based on the available key data and screenplays, which helps with planning.
Analyze the script in good time before shooting!
We scoff at screenplays and like to talk about initial music ideas with decision makers. We identify musical uses in books and provide assessments of them. In particular, if you want to shoot a song in ON, early communication can be a significant relief.
Communicate with musicians through us!
Whether a film composer or other music partner. We achieve optimal negotiation results with long-standing partners because they communicate with us. If possible, before a personnel or content decision has already been made to the partner. After that, it is often difficult to achieve the desired result.
We provide diplomatic advice...
We support creative decision makers exactly where they want it. In doing so, we fully respect the director's decision-making processes and provide transparent information about economic aspects when selecting original songs.
Would you like suggestions for the picture?
Producer, director, and editing room should be aware of the process if we are to make creative suggestions. The music is created as optimally as possible using ProTools.
Short-term income and long-term value creation
DAYDREAM has been successfully founding and managing music publishers for now 50 TV and film producers for three decades. Here too, the earlier, the more coherent the music or score productions can result in a publishing connection with composers. With its software, our administration is excellently positioned by international standards.

Frequently asked questions
Everything you need to know about our music supervising services.
A music publisher manages and markets the copyrights of composers and songwriters. DAYDREAM has founded over 50 publishers and takes care of GEMA registration, licensing, rights management and the worldwide marketing of musical works. We ensure that authors are fairly remunerated and that their works are optimally exploited — from the initial idea to international marketing.
Of course! As a full-service agency, we also take on the marketing and distribution of soundtracks. From digital distribution to physical release and professional radio sampling — we ensure that your film music reaches the audience and is optimally marketed.
Yes, absolutely! With over 30 years of experience, we have built up a worldwide network and work regularly with international productions. Our team is familiar with the various legal systems and licensing models of different countries.
The costs depend on the scope of the project, the desired music and the license fees. We prepare an individual offer for each project and provide you with transparent advice on all costs involved — from our services to music rights.
The duration of the project varies depending on the scope and complexity. Movies usually take 6-12 months from initial consultation to final delivery, while TV productions can often be realized in 2-4 months. We will guide you through all phases of production.
Music supervising includes the creative and administrative support of all musical aspects of a film or TV production. This includes selecting and licensing music, working with composers, coordinating all legal and budgetary aspects of film music, and radio sampling for optimal marketing of the soundtrack.