Germany's first music supervising agency






























Our comprehensive music supervising services for film & television
As Germany's first music supervising agency, we offer you comprehensive support from the initial idea to final marketing. Our services cover all aspects of film music production and guarantee professional results.

Music Supervision
For optimal planning, we are happy to develop initial concepts for your film and TV productions right from the script phase - from musical ideas to precise calculation of the music budget. The work process takes place in close cooperation with production, direction and editing — as a constant point of contact, we will support you from material development to shooting and launch.

Copyright Clearance & Licensing
We identify and clarify all required music rights for your production in accordance with instructions. In addition, all communication with labels, publishers and rights holders is handled and contract negotiations are conducted with the rights holders. With over 30 years of experience, we ensure legal certainty, optimal speed and good conditions.

Music Team & Project management
The optimal musical line-up for your project can be facilitated by our support with the appropriate line-up of composers, songwriters and music producers. Our briefing is aimed at coordinating and timely processing of time processes, budgets and feedback loops — for a smooth production process.

Contract preparation and negotiation
We review license agreements as well as music and composer contracts and offer you all draft contracts — as an experienced interface for Composer Deals, we will advise you on complex licensing agreements.

Music Publishing
With over 50 established producer publishers, we are an experienced partner nationally and internationally for sustainable music distribution with a focus on film music. We administer the repertoire of our composers and producer publishers with the latest ALV software and guarantee maximum income through precise billing and GEMA complaints. Through our network of international sub-publishing partners, we also ensure worldwide distribution and administration in CWR format.
Internationally represented by our sub-publishing partners: Schedler Music (AT & CH), Budde Music France, Peer Music (UK), Royalty Network (USA), Café Concerto (Italy), Alondra Music (Spain & Portugal), Edition Björlund (Scandinavia), Collect Music Publishers (Benelux)

Soundtrack Label
We ensure the perfect timing and smooth implementation of your soundtrack releases: Parallel to the start of the film or series and with the option of nationwide radio sampling of their title song, we offer a tailor-made promotion strategy in close cooperation with the composers. This also promotes the project on the market, among partners and composers and contributes to music publishing cooperation.





















































News & Updates
The latest news from the world of DAYDREAM

MOMO: DAYDREAM launches title song & music clip from MALOU x TOKIO HOTEL
“One More Day” (original motion picture soundtrack 'Momo') by MALOU X TOKYO HOTEL will be released on September 19, 2025

“PUMUCKL UND DAS GROßE MISSVERSTÄNDNIS” - Soundtrack released by DAYDREAM
„Pumuckl und das große Missverständnis“ (Production by NeueSuper) starts in cinemas on October 30, 2025 distributed by Constantin Film. The Soundtrack by Michi Regner will be released via DAYDREAM.

"HIGH STAKES" Soundtrack erscheint bei DAYDREAM
From 5/9/25, the soundtrack by Sebastian Fillenberg will be released on DAYDREAM. The series runs linearly from 14/09/25

“REMBETIS” or sausage?
ZDF Neo zeigt ab 25. Juli die Comedy-Mystery-Serie über die griechische Familie REMBETIS, die in Köln eine Gyrosbude betreibt, aber eigentlich eine Familie von Geisterjägern ist.
More news

“New stories from Pumuckl” at the Munich Film Festival

“Sexuell verfügbar” — soon also on linear tv

5 Lolas go to “DAS LEHRERZIMMER”

DAYDREAM releases Soundtracks for its partners

Filmography

Jim Knopf und die wilde 13
Jim Knopf und die wilde 13

About this project
The sequel to Jim Knopf and Luke the Engine Driver Adapts Michael Ende's classic children's book again. Jim and Lukas embark on an adventurous journey to unravel the secrets of Jim's origins and face the pirate gang “The Wild 13.” The film combines elaborate visual effects with classic family cinema. The film music by Ralf Wengenmayr and Marvin Miller, recorded by the German Film Orchestra Babelsberg, contributes significantly to the international appeal of the production; the title song “Travel once” by Mimi & Josy also musically complemented the cinema release in the mainstream.
Awards:
Nomination for the German Film Awards 2021 (Best Children's Film), nomination for the World Soundtrack Award 2021 (Public Choice Award for film music by Ralf Wengenmayr and Marvin Miller)
Productiondetails
· Year: 2020
· Production: Rat Pack film production, Warner Bros.
· Director: Dennis Gansel · Music (Score): Ralf Wengenmayr, Marvin Miller
· Title song: “Travel once” — Mimi & Josy
DAYDREAM
Music Supervising
- Song concept/song suggestions on picture (via ProTools)
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
soundtrack
- Preparation for sound carrier release
- Release of the soundtrack & theme song by Embassy of Music
- Sampling and promotion for film release

Liliane Susewind
Liliane Susewind

About this project
Eleven-year-old Liliane Susewind (Malu Leicher) has the special ability to talk to animals. After an incident at a city festival, her family moves to a new city, where Lilli uses her gift to help animals. The film is based on the successful children's book series by Tanya Stewner and is aimed at a young audience. The score was composed by Riad Abdel-Nabi, and the soundtrack was created especially for the film, including the title song “Wie ich bin” by Faye Montana.
Productiondetails
· Year: 2018
· Production: Rat Pack film production, Constantin Film
· Director: Joachim Masannek
· Music (score): Riad Abdel-Nabi
· Title song: “How I am” - Faye Montana
DAYDREAM
Music Supervising
- Composers - Casting
- Song concept/song suggestions on picture (via ProTools)
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Preparation for soundcarrier release
- Release of the soundtrack with Embassy of Music
- Promotion title song/music video & soundtrack for the film release

Lola rennt
Lola rennt

About this project
Tom Tykwer's style-defining thriller tells of Lola (Franka Potente), who competes three times over to raise 100,000 marks for her boyfriend Manni in 20 minutes. With its innovative narrative concept and vibrant editing, the film set international standards. The soundtrack by Tom Tykwer, Reinhold Heil and Johnny Klimek, including the title song “Running” by Blumfeld, is closely linked to the dynamics of the images and made a significant contribution to the film's cult status.
Awards:
German Film Awards 1999, Bavarian Film Critics Association 1998, Sundance Film Festival 1999 (Audience Award — Best Foreign Film), Florida Film Critics Circle Awards 1999 (Best Foreign Film), Dallas-Fort Worth Film Critics Association 1999 (Best Foreign Film), Independent Spirit Awards 2000 (Best International Film), Grand FIPRESCI Award 1999, Bambi 1998, Ernst Lubitsch Prize 1999, Guild Film Award in Gold 1999, Jupiter 1999, Bogey Award 1998, MTV Select Award 1999, Gold Record 1999, Chlotrudis Award 2000, Brothers Manaki International Film Festival 2000, Kansas City Film Critics Circle Award 2000, Online Film Critics Society Award 2000, Southeastern Film Critics Association Award 2000, Geneva Film Awards 1998
Productiondetails
- Year: 1998
- Production: X Films Creative Pool
- Director: Tom Tykwer
- Score: Tom Tykwer, Reinhold Heil, Johnny Klimek
DAYDREAM
Music Supervising
- Song concept/song suggestions on picture (per ProTools)
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Preparation for soundcarrier release
- Release of the soundtrack on CD and digital
- Sampling for the start
- Title song production and release (Top 5 in the international charts)

Max und die wilde 7
Max und die wilde 7

About this project
The children's book movie Max and the Wild 7 tells of nine-year-old Max, who moves with his mother to an old knight's castle, which today serves as a retirement home. There he makes friends with the bizarre inhabitants, the “Wild 7,” and together they uncover a mysterious burglary. The film music is from Eike Hosenfeld and Moritz Denis, supplemented by the specially produced title song “I'll find you”sung by Benoby, which was released in parallel as a single.
Awards:
“particularly valuable” rating from the German Film and Media Review (FBW), Kindertiger Award 2021 — Award for the screenplay
Productiondetails
- Year: 2020
- Production company: Westside Filmproduktion, Rat Pack Filmproduktion and others ·
- Director: Winfried Oelsner
- Music: Eike Hosenfeld, Moritz Denis (Score), title song “I'll find you” — Benoby
DAYDREAM
Music Supervising
- Song concept/song suggestions on the picture
- Titlesong development
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Preparation and acquisition for sound carrier release

Neues vom Wixxer
Neues vom Wixxer

About this project
The parody of the Edgar Wallace films continues the success of The Wixxer continues and combines black-humorous crime stories with a top-class cast, including Oliver Kalkofe, Bastian Pastewka and Christian Tramitz. The film music was composed by Helmut Zerlett and Christoph Zirngibl, played by the Babelsberg Film Orchestra. The score is supplemented by the title song “Ghostfaced Killer (Remixx)” by The Dead 60s with wind sections by the ska band Madness, which opens the opening credits and was also released as a single.
Awards:
Jupiter Award 2008 (Best German Film), New Faces Award 2007 (Director: Cyrill Boss & Philipp Stennert), DVD/Video Champion 2007 (German Film/Special Edition)
Productiondetails
· Year: 2007
· Production company: Rat Pack Filmproduktion
· Director: Cyrill Boss, Philipp Stennert
· Music (score): Helmut Zerlett, Christoph Zirngib
· Title song: The Dead 60s “Ghostfaced Killer (News from Wixxer Remixx)” with Madness
DAYDREAM
Music Supervising
- Composers Casting
- Title song development (including music video) with MADNESS
- Song concept/song suggestions on the picture
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Preparation for soundcarrier release
- Release of the soundtrack with Embassy of Music
- Sampling and promotion in all media around filmstart
- Single + Music video with MADNESS

Nur Gott kann mich richten
Nur Gott kann mich richten

About this project
Gangster drama by Moritz Bleibtreu, who also plays the leading role. After five years in prison, Ricky is released and plans a final coup together with old companions. But loyalty, betrayal and the limits of family ties call the project into question. The film combines genre elements of the Heist movie with a gloomy view of Frankfurt's milieu. In addition to Bleibtreu, rapper is also Xatar to see whose label Alles oder Nix Records was responsible for the soundtrack. With songs like “Ich will alles (NGKMR Rework)” The music by Xatar & SSIO received a great deal of press attention and is supplemented by the score by Christoph M. Kaiser and Julian Maas.
Awards:
German Film Awards 2018: Nomination (Best Sound Design), “particularly valuable” rating from the German Film and Media Review (FBW) 2017, Hessian Film Awards 2017: Best Feature Film, Festival Screenings, including at Filmfest München
Productiondetails
- year: 2017 (theatrical release: January 25, 2018)
- production: Rat Pack Film Production, Constantin Film, Paloma Entertainment
- Director: Özgür Yildirim
- Music (score): Christoph M. Kaiser, Julian Maas
- Soundtrack: Xatar & SSIO/Alles oder Nix Records
DAYDREAM
Music Supervising
- Composers - Casting
- Song concept/song suggestions on picture (via ProTools)
- Copyright Clearances (Master & Sync)
- Musician contract negotiations
Publishing
- Publishing music for production
- Conclusions of contracts Author
- Cue sheets and AV messages
- Worldwide publishing network
Soundtrack
- Preparation and negotiation of the sound carrier release (Warner Music)
- Release of the soundtrack on CD and on all platforms
- Promotion alle media Sampling of the
- Album + 2 singles / music videos around the filmstart
The DAYDREAM team.
Your experts for music
Supervising & Publishing
For over 30 years, our team has combined creativity, expertise and passion for film music. From music supervision to legal affairs to publishing — our experts support you with decades of experience and a network of over 350 successful productions.

Klaus Jan Frers

Klaus Jan Frers
Expertise
- Music Supervision
- A&R Management
- Strategic corporate management
- International contract negotiations
Erfahrung

Florian Sonnleitner

Florian Sonnleitner
Expertise
- Music Supervision
- Clearance Management
- Score Supervision
- Musical dramaturgy
Erfahrung

Dr. Sabine Meier

Dr. Sabine Meier
Expertise
- Music Publishing
- publishing law
- license management
- Legal advice
Erfahrung

Franko van Lankeren

Franko van Lankeren
Expertise
- Music Supervision
- Legal Affairs
- contract law
- International declaration of rights
Erfahrung

Amra Frers

Amra Frers
Expertise
Specialized in publishing administration, modern label management and digital music marketing.
Erfahrung
Contact
Contact us for your next project.
On site
D-81247 München
Onboarding for optimal collaboration
Find out how working with DAYDREAM at an early stage ensures your project success.
Early contact doesn't just help for reliable figures!
Even during the financing phase, we can often provide legal, economic and content experience in music based on the available key data and screenplays, which helps with planning.
Analyze the script in good time before shooting!
We scoff at screenplays and like to talk about initial music ideas with decision makers. We identify musical uses in books and provide assessments of them. In particular, if you want to shoot a song in ON, early communication can be a significant relief.
Communicate with musicians through us!
Whether a film composer or other music partner. We achieve optimal negotiation results with long-standing partners because they communicate with us. If possible, before a personnel or content decision has already been made to the partner. After that, it is often difficult to achieve the desired result.
We provide diplomatic advice...
We support creative decision makers exactly where they want it. In doing so, we fully respect the director's decision-making processes and provide transparent information about economic aspects when selecting original songs.
Would you like suggestions for the picture?
Producer, director, and editing room should be aware of the process if we are to make creative suggestions. The music is created as optimally as possible using ProTools.
Short-term income and long-term value creation
DAYDREAM has been successfully founding and managing music publishers for now 50 TV and film producers for three decades. Here too, the earlier, the more coherent the music or score productions can result in a publishing connection with composers. With its software, our administration is excellently positioned by international standards.

Frequently asked questions
Everything you need to know about our music supervising services.
A music publisher manages and markets the copyrights of composers and songwriters. DAYDREAM has founded over 50 publishers and takes care of GEMA registration, licensing, rights management and the worldwide marketing of musical works. We ensure that authors are fairly remunerated and that their works are optimally exploited — from the initial idea to international marketing.
Of course! As a full-service agency, we also take on the marketing and distribution of soundtracks. From digital distribution to physical release and professional radio sampling — we ensure that your film music reaches the audience and is optimally marketed.
Yes, absolutely! With over 30 years of experience, we have built up a worldwide network and work regularly with international productions. Our team is familiar with the various legal systems and licensing models of different countries.
The costs depend on the scope of the project, the desired music and the license fees. We prepare an individual offer for each project and provide you with transparent advice on all costs involved — from our services to music rights.
The duration of the project varies depending on the scope and complexity. Movies usually take 6-12 months from initial consultation to final delivery, while TV productions can often be realized in 2-4 months. We will guide you through all phases of production.
Music supervising includes the creative and administrative support of all musical aspects of a film or TV production. This includes selecting and licensing music, working with composers, coordinating all legal and budgetary aspects of film music, and radio sampling for optimal marketing of the soundtrack.