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Germany's first music supervising agency

Lola rennt
Hui Buh - Das Schlossgespenst
Elser - Er hätte die Welt verändert
Colonia Dignidad - Es gibt kein Zurück
Es ist nur eine Phase, Hase
Blood Red Sky
Hin und Weg
Radio Heimat
Das Lehrerzimmer
Grüner wird’s nicht, sagte der Gärtner und flog davon
Der Heimweg
Bonn – Alte Freunde, neue Feinde
A Further Gesture
Der Vierer
Herrhausen - Der Herr des Geldes
Die drei !!!
Wir sind die Welle
Wickie und die starken Männer
Jerry Cotton
Jim Knopf und die wilde 13
Nur Gott kann mich richten
Neues vom Wixxer
Der Wixxer
Liliane Susewind
Max und die wilde 7
SMS für Dich
One Night Off
Jim Knopf & Lukas, der Lokomotivführer
Der letzte Bulle
Vier gegen die Bank
Since 1990 | 350+ productions | 100+ albums

Our comprehensive music supervising services for film & television

As Germany's first music supervising agency, we offer you comprehensive support from the initial idea to final marketing. Our services cover all aspects of film music production and guarantee professional results.

Musik

Music Supervision

For optimal planning, we are happy to develop initial concepts for your film and TV productions right from the script phase - from musical ideas to precise calculation of the music budget. The work process takes place in close cooperation with production, direction and editing — as a constant point of contact, we will support you from material development to shooting and launch.

Recht

Copyright Clearance & Licensing

We identify and clarify all required music rights for your production in accordance with instructions. In addition, all communication with labels, publishers and rights holders is handled and contract negotiations are conducted with the rights holders. With over 30 years of experience, we ensure legal certainty, optimal speed and good conditions.

Studio

Music Team & Project management

The optimal musical line-up for your project can be facilitated by our support with the appropriate line-up of composers, songwriters and music producers. Our briefing is aimed at coordinating and timely processing of time processes, budgets and feedback loops — for a smooth production process.

Business

Contract preparation and negotiation

We review license agreements as well as music and composer contracts and offer you all draft contracts — as an experienced interface for Composer Deals, we will advise you on complex licensing agreements.

Mixing

Music Publishing

With over 50 established producer publishers, we are an experienced partner nationally and internationally for sustainable music distribution with a focus on film music. We administer the repertoire of our composers and producer publishers with the latest ALV software and guarantee maximum income through precise billing and GEMA complaints. Through our network of international sub-publishing partners, we also ensure worldwide distribution and administration in CWR format.

Internationally represented by our sub-publishing partners: Schedler Music (AT & CH), Budde Music France, Peer Music (UK), Royalty Network (USA), Café Concerto (Italy), Alondra Music (Spain & Portugal), Edition Björlund (Scandinavia), Collect Music Publishers (Benelux)

Komposition

Soundtrack Label

We ensure the perfect timing and smooth implementation of your soundtrack releases: Parallel to the start of the film or series and with the option of nationwide radio sampling of their title song, we offer a tailor-made promotion strategy in close cooperation with the composers. This also promotes the project on the market, among partners and composers and contributes to music publishing cooperation.

News & Updates

The latest news from the world of DAYDREAM

MOMO: DAYDREAM launches title song & music clip from MALOU x TOKIO HOTEL

MOMO: DAYDREAM launches title song & music clip from MALOU x TOKIO HOTEL

“One More Day” (original motion picture soundtrack 'Momo') by MALOU X TOKYO HOTEL will be released on September 19, 2025

Read

MOMO: DAYDREAM launches title song & music clip from MALOU x TOKIO HOTEL

MOMO: DAYDREAM launches Title Song & Music Clip by MALOU x TOKIO HOTEL

With “One More Day (Original Motion Picture Soundtrack 'Momo')” , already published on 19th of September 2025, a very special song will be heard, which also serves as the closing credits song for the elaboraterely produced remake of Michael Ende's world bestseller "MOMO". Single and music video released worldwide via Embassy of Music. "MOMO" was created by Christian Becker's RAT PACK production, Director & Script set by Christian Ditter the cinema start  by Constantin will take place on October 2, 2025.

After one year of talks, I was able to DAYDREAM in collaboration with Embassy of Music the internationally known band TOKYO HOTEL including the Kaulitz - Brothers as well as the up-and-coming VOICE winner Malou Lovis for production win the title song. MOMO - Fan Malou Lovis and Bill Kaulitz were already standing during the Tokyo Hotel Tour on stage together in spring 2025. Their collaboration for the remake of “MOMO” created a soulful ballad about the preciousness of time — about moments that you often only recognize when they're over.

“The day will come when we would do anything to have one more day.” — Malou Lovis

“PUMUCKL UND DAS GROßE MISSVERSTÄNDNIS” - Soundtrack released by DAYDREAM

“PUMUCKL UND DAS GROßE MISSVERSTÄNDNIS” - Soundtrack released by DAYDREAM

„Pumuckl und das große Missverständnis“ (Production by NeueSuper) starts in cinemas on October 30, 2025 distributed by Constantin Film. The Soundtrack by Michi Regner will be released via DAYDREAM.

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“PUMUCKL UND DAS GROßE MISSVERSTÄNDNIS” - Soundtrack released by DAYDREAM

“PUMUCKL UND DAS GROßE MISSVERSTÄNDNIS” - Soundtrack released by DAYDREAM

“Pumuckl und das große Missverständnis” (Production by NeueSuper) starts on October 30, 2025 for rent from Constantin Film in the cinemas. After the big and surprising cinema success in 2023, which was originally designed as a series, Rosenmüller has now filmed an independent adventure of the iconic goblin again for the big screen. The Movie soundtrack of Michi Regener will be published by DAYDREAM just in time for the start.

https://www.youtube-nocookie.com/embed/rL2bGfsAWhs?si=EjObkSJiaJJED_eD

"HIGH STAKES" Soundtrack erscheint bei DAYDREAM

"HIGH STAKES" Soundtrack erscheint bei DAYDREAM

From 5/9/25, the soundtrack by Sebastian Fillenberg will be released on DAYDREAM. The series runs linearly from 14/09/25

Read

"HIGH STAKES" Soundtrack erscheint bei DAYDREAM

HIGH STAKES - The poker can begin

The first German poker series (6 x 43 min.) follows the headscarf-wearing Muslim Ayla on her journey to gain a foothold in the poker world in order to realize her astronaut dream. ODEON produced the format for ZDFneo, Sebastian Fillenberg created the music. Just in time for the online start on 5/9/25, the Soundtrack to that.

Composed by Sebastian Fillenberg, the album combines driving Techno sounds with atmospheric scores and impressively conveys the dynamism of the series.

Published by DAYDREAM. Discover now and dive into the sound world of High Stakes dive in.

“REMBETIS” or sausage?

“REMBETIS” or sausage?

ZDF Neo zeigt ab 25. Juli die Comedy-Mystery-Serie über die griechische Familie REMBETIS, die in Köln eine Gyrosbude betreibt, aber eigentlich eine Familie von Geisterjägern ist.

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“REMBETIS” or sausage?

REMBETIS or sausage?

From Friday, the July 25, 2025 Is there a special treat from ZDF Neo in the media library, from July 29th then linearly and weekly on Tuesday.

The Greek Rembetis family runs a gyro shop in Cologne, which one day, as a result of an accident, suddenly releases countless demons and ghosts. This forces the family to follow their tradition as ghost hunters.

The series promises a unique mix of comedy, mystery and Greek culture in the middle of Cologne. With lots of humor and supernatural elements, “REMBETIS” creates a unique genre on German television.

The series

REMBETIS Is the serial ham called and was made by Vanity (Producers: Marco Gilles and Christopher Albrodt) and was produced in Cologne.

As a creative all-rounder, Jasin Challah is both a director, composer and the main actor of the bizarre story in one person. The series promises a unique mix of comedy, mystery and Greek culture in the middle of Cologne. With lots of humor and supernatural elements, “REMBETIS” creates a unique genre on German television.

More news

“New stories from Pumuckl” at the Munich Film Festival

“New stories from Pumuckl” at the Munich Film Festival

At Filmfest München, NeueSuper is showing new Pumuckl episodes, and the new movie is already being made at the same time.
Read

“New stories from Pumuckl” at the Munich Film Festival

“New stories from Pumuckl” at the Munich Film Festival

As part of the film festival from June 27 to July 6, 2025, there will also be several completed and ongoing projects for the DayDream team to celebrate.

In competition “Cine Kindl” Show the NewSuper Episodes 2, 4 and 10 from the second season of “New Stories...” about the cult figure PUMUCKL.

Marcus H. Rosenmüller Once again manages to inspire today's generation of kids with Pumuckl's unmistakable mix of anarchy and kindness.

The new movie

At the same time, the new feature film about Pumuckl and Meister Eder is being produced.

A timeless goblin

Pumuckl proves that good stories are timeless. The new adventures of the cheeky goblin appeal to nostalgic adults as well as new, young fans. Marcus H. Rosenmüller manages to retain the charm of the original while providing fresh impetus.

“Sexuell verfügbar” — soon also on linear tv

“Sexuell verfügbar” — soon also on linear tv

From 16.03.2024 “Sexually available” in the first for night owls. With music by Malakoff Kowalski, together with Deichkind member Philipp Grütering and Nicolai Jonas Rohrer.
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“Sexuell verfügbar” — soon also on linear tv

“Sexuell verfügbar” — soon also on linear tv

From March 8, 2024 Is in the ARD media library The most funny and bitterly serious at the same time five-part series “Sexually Available” with Laura Tonke to be seen in the lead role. For night owls: From March 16, 2024 at 11:55 PM on Erste.

Inspired by the bestseller of Caroline Rosales, the series portrays the life of a mother who, following an allegation of rape, is fighting for her existence.

This raises the central question: When is a woman a woman?

The production

“Sexually available” is a production of Benjamin Hermann and the Majestic film production commissioned by ARD Degeto, co-produced by Dor Film and Viafilm.

The music

For the very independent soundtrack, the German-American-Persian musician and composer is Malakoff Kowalski responsible.

He was supported by:

  • Deichkind member - Philipp Grütering
  • Nicolai Jonas Rohrer

5 Lolas go to “DAS LEHRERZIMMER”

5 Lolas go to “DAS LEHRERZIMMER”

Historischer Erfolg: "Das Lehrerzimmer" von DAYDREAM-Partner Ingo Fliess gewinnt fünf Lolas - Bester Spielfilm, Beste Regie, Bestes Drehbuch, Beste Hauptrolle und Bester Schnitt.
Read

5 Lolas go to “DAS LEHRERZIMMER”

Release date: 2023

In fact, nothing new was expected in East Berlin, but we were proven wrong!

The awards

“THE TEACHER'S ROOM” our long-term partner Ingo Fließ Cleared:

  • Best feature film
  • Best female lead
  • Best screenplay
  • Best director
  • Best cut

Great fun with DAYDREAM

Everyone in the DayDream team was very happy to hear about this.

Congratulations from the bottom of my heart to Ingo and his teammates!

A historic success

Five Lolas for one film — that is an extraordinary success and a well-deserved recognition for this outstanding work. “Das Lehrerzimmer” not only impressed the Berlinale, but also won the most important German film award.

DAYDREAM releases Soundtracks for its partners

DAYDREAM releases Soundtracks for its partners

Seit Mitte 2022 veröffentlicht DAYDREAM Soundtracks für seine Partner auf allen wichtigen Plattformen. Die Initiative macht herausragende deutsche Filmmusik für das Publikum zugänglich.
Read

DAYDREAM releases Soundtracks for its partners

Release date: Since mid-2022

An important initiative

Productions are increasingly crowning their music production with a soundtrack release. That is exactly why DAYDREAM wants to give its partners this opportunity and is happy to receive the positive feedback.

availability

The music is available on all major platforms at the start of each production:

  • streaming platforms (Spotify, Apple Music, etc.)
  • youtube

The mission

DAYDREAM has set itself the task of making the often outstanding film music from German productions available to the audience. Many scores and songs would otherwise never be released.

Positive response

The feedback from fans, composers and producers is consistently positive. The soundtrack releases enable audiences to relive the emotional moments of the films and series even after watching them.

This initiative underscores DayDream's commitment to the appreciation and dissemination of film music in the German market.

Filmography

Jim Knopf und die wilde 13
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Jim Knopf und die wilde 13

Jim Knopf und die wilde 13

About this project

The sequel to Jim Knopf and Luke the Engine Driver Adapts Michael Ende's classic children's book again. Jim and Lukas embark on an adventurous journey to unravel the secrets of Jim's origins and face the pirate gang “The Wild 13.” The film combines elaborate visual effects with classic family cinema. The film music by Ralf Wengenmayr and Marvin Miller, recorded by the German Film Orchestra Babelsberg, contributes significantly to the international appeal of the production; the title song “Travel once” by Mimi & Josy also musically complemented the cinema release in the mainstream.

Awards:

Nomination for the German Film Awards 2021 (Best Children's Film), nomination for the World Soundtrack Award 2021 (Public Choice Award for film music by Ralf Wengenmayr and Marvin Miller)

Productiondetails

· Year: 2020

· Production: Rat Pack film production, Warner Bros.

· Director: Dennis Gansel · Music (Score): Ralf Wengenmayr, Marvin Miller

· Title song: “Travel once” — Mimi & Josy

DAYDREAM

Music Supervising

  • Song concept/song suggestions on picture (via ProTools)
  • Copyright Clearances (Master & Sync)
  • Musician contract negotiations

Publishing

  • Publishing music for production
  • Conclusions of contracts Author
  • Cue sheets and AV messages
  • Worldwide publishing network

soundtrack

  • Preparation for sound carrier release
  • Release of the soundtrack & theme song by Embassy of Music
  • Sampling and promotion for film release

Liliane Susewind
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Liliane Susewind

Liliane Susewind

About this project

Eleven-year-old Liliane Susewind (Malu Leicher) has the special ability to talk to animals. After an incident at a city festival, her family moves to a new city, where Lilli uses her gift to help animals. The film is based on the successful children's book series by Tanya Stewner and is aimed at a young audience. The score was composed by Riad Abdel-Nabi, and the soundtrack was created especially for the film, including the title song “Wie ich bin” by Faye Montana.

Productiondetails

· Year: 2018

· Production: Rat Pack film production, Constantin Film

· Director: Joachim Masannek

· Music (score): Riad Abdel-Nabi

· Title song: “How I am” - Faye Montana

DAYDREAM

Music Supervising

  • Composers - Casting
  • Song concept/song suggestions on picture (via ProTools)
  • Copyright Clearances (Master & Sync)
  • Musician contract negotiations

Publishing

  • Publishing music for production
  • Conclusions of contracts Author
  • Cue sheets and AV messages
  • Worldwide publishing network

Soundtrack

  • Preparation for soundcarrier release
  • Release of the soundtrack with Embassy of Music
  • Promotion title song/music video & soundtrack for the film release

Lola rennt
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Lola rennt

Lola rennt

About this project

Tom Tykwer's style-defining thriller tells of Lola (Franka Potente), who competes three times over to raise 100,000 marks for her boyfriend Manni in 20 minutes. With its innovative narrative concept and vibrant editing, the film set international standards. The soundtrack by Tom Tykwer, Reinhold Heil and Johnny Klimek, including the title song “Running” by Blumfeld, is closely linked to the dynamics of the images and made a significant contribution to the film's cult status.

Awards:

German Film Awards 1999, Bavarian Film Critics Association 1998, Sundance Film Festival 1999 (Audience Award — Best Foreign Film), Florida Film Critics Circle Awards 1999 (Best Foreign Film), Dallas-Fort Worth Film Critics Association 1999 (Best Foreign Film), Independent Spirit Awards 2000 (Best International Film), Grand FIPRESCI Award 1999, Bambi 1998, Ernst Lubitsch Prize 1999, Guild Film Award in Gold 1999, Jupiter 1999, Bogey Award 1998, MTV Select Award 1999, Gold Record 1999, Chlotrudis Award 2000, Brothers Manaki International Film Festival 2000, Kansas City Film Critics Circle Award 2000, Online Film Critics Society Award 2000, Southeastern Film Critics Association Award 2000, Geneva Film Awards 1998

Productiondetails

  • Year: 1998
  • Production: X Films Creative Pool
  • Director: Tom Tykwer
  • Score: Tom Tykwer, Reinhold Heil, Johnny Klimek

DAYDREAM

Music Supervising

  • Song concept/song suggestions on picture (per ProTools)
  • Copyright Clearances (Master & Sync)
  • Musician contract negotiations

Publishing

  • Publishing music for production
  • Conclusions of contracts Author
  • Cue sheets and AV messages
  • Worldwide publishing network

Soundtrack

  • Preparation for soundcarrier release
  • Release of the soundtrack on CD and digital
  • Sampling for the start
  • Title song production and release (Top 5 in the international charts)

Max und die wilde 7
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Max und die wilde 7

Max und die wilde 7

About this project

The children's book movie Max and the Wild 7 tells of nine-year-old Max, who moves with his mother to an old knight's castle, which today serves as a retirement home. There he makes friends with the bizarre inhabitants, the “Wild 7,” and together they uncover a mysterious burglary. The film music is from Eike Hosenfeld and Moritz Denis, supplemented by the specially produced title song “I'll find you”sung by Benoby, which was released in parallel as a single.

Awards:

“particularly valuable” rating from the German Film and Media Review (FBW), Kindertiger Award 2021 — Award for the screenplay

Productiondetails

  • Year: 2020
  • Production company: Westside Filmproduktion, Rat Pack Filmproduktion and others ·
  • Director: Winfried Oelsner
  • Music: Eike Hosenfeld, Moritz Denis (Score), title song “I'll find you” — Benoby

DAYDREAM

Music Supervising

  • Song concept/song suggestions on the picture
  • Titlesong development
  • Copyright Clearances (Master & Sync)
  • Musician contract negotiations

Publishing

  • Publishing music for production
  • Conclusions of contracts Author
  • Cue sheets and AV messages
  • Worldwide publishing network

Soundtrack

  • Preparation and acquisition for sound carrier release

Neues vom Wixxer
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Neues vom Wixxer

Neues vom Wixxer

About this project

The parody of the Edgar Wallace films continues the success of The Wixxer continues and combines black-humorous crime stories with a top-class cast, including Oliver Kalkofe, Bastian Pastewka and Christian Tramitz. The film music was composed by Helmut Zerlett and Christoph Zirngibl, played by the Babelsberg Film Orchestra. The score is supplemented by the title song “Ghostfaced Killer (Remixx)” by The Dead 60s with wind sections by the ska band Madness, which opens the opening credits and was also released as a single.

Awards:

Jupiter Award 2008 (Best German Film), New Faces Award 2007 (Director: Cyrill Boss & Philipp Stennert), DVD/Video Champion 2007 (German Film/Special Edition)

Productiondetails

· Year: 2007

· Production company: Rat Pack Filmproduktion

· Director: Cyrill Boss, Philipp Stennert

· Music (score): Helmut Zerlett, Christoph Zirngib

· Title song: The Dead 60s “Ghostfaced Killer (News from Wixxer Remixx)” with Madness

DAYDREAM

Music Supervising

  • Composers Casting
  • Title song development (including music video) with MADNESS
  • Song concept/song suggestions on the picture
  • Copyright Clearances (Master & Sync)
  • Musician contract negotiations

Publishing

  • Publishing music for production
  • Conclusions of contracts Author
  • Cue sheets and AV messages
  • Worldwide publishing network

Soundtrack

  • Preparation for soundcarrier release
  • Release of the soundtrack with Embassy of Music
  • Sampling and promotion in all media around filmstart
  • Single + Music video with MADNESS

Nur Gott kann mich richten
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Nur Gott kann mich richten

Nur Gott kann mich richten

About this project

Gangster drama by Moritz Bleibtreu, who also plays the leading role. After five years in prison, Ricky is released and plans a final coup together with old companions. But loyalty, betrayal and the limits of family ties call the project into question. The film combines genre elements of the Heist movie with a gloomy view of Frankfurt's milieu. In addition to Bleibtreu, rapper is also Xatar to see whose label Alles oder Nix Records was responsible for the soundtrack. With songs like “Ich will alles (NGKMR Rework)” The music by Xatar & SSIO received a great deal of press attention and is supplemented by the score by Christoph M. Kaiser and Julian Maas.

Awards:

German Film Awards 2018: Nomination (Best Sound Design), “particularly valuable” rating from the German Film and Media Review (FBW) 2017, Hessian Film Awards 2017: Best Feature Film, Festival Screenings, including at Filmfest München

Productiondetails

  • year: 2017 (theatrical release: January 25, 2018)
  • production: Rat Pack Film Production, Constantin Film, Paloma Entertainment
  • Director: Özgür Yildirim
  • Music (score): Christoph M. Kaiser, Julian Maas
  • Soundtrack: Xatar & SSIO/Alles oder Nix Records

DAYDREAM

Music Supervising

  • Composers - Casting
  • Song concept/song suggestions on picture (via ProTools)
  • Copyright Clearances (Master & Sync)
  • Musician contract negotiations

Publishing

  • Publishing music for production
  • Conclusions of contracts Author
  • Cue sheets and AV messages
  • Worldwide publishing network

Soundtrack

  • Preparation and negotiation of the sound carrier release (Warner Music)
  • Release of the soundtrack on CD and on all platforms
  • Promotion alle media Sampling of the
  • Album + 2 singles / music videos around the filmstart

Netflix | Amazon | Disney+ | Constantin Film | RAT PACK
“When I got to know “Music Supervising” in the USA in the 1980s, I was fascinated by the holistic task and founded DAYDREAM in 1989. On behalf of production as a “music person”, managing the legal, economic and content strands up to the creation of value for the producer made increasing sense in Germany as well. Over the years, we have of course had to adapt our working methods to local economic opportunities. And continue to improve the implementation as the connection between production, direction and music. This has now resulted in a network of regular partners for whom we have become a permanent institution when it comes to music issues.”
— Klaus Jan Frers, Founder & Managing Director

The DAYDREAM team.
Your experts for music
Supervising & Publishing

For over 30 years, our team has combined creativity, expertise and passion for film music. From music supervision to legal affairs to publishing — our experts support you with decades of experience and a network of over 350 successful productions.

Klaus Jan Frers

Klaus Jan Frers

Founder & CEO

Klaus Jan Frers

Founder & CEO
Klaus Jan Frers founded DAYDREAM in 1990 as Germany's first independent music supervising agency. As a former BMG manager, he brings decades of experience in the music industry and has led the company to over 350 successful soundtrack productions.

Expertise

  • Music Supervision
  • A&R Management
  • Strategic corporate management
  • International contract negotiations

Erfahrung

Over 30 years of experience in the music industry, former BMG manager, founder of DAYDREAM Music Supervising.
Florian Sonnleitner

Florian Sonnleitner

Music Supervising

Florian Sonnleitner

Music Supervising
Florian Sonnleitner specializes in music supervision and clearance. With his keen sense of musical dramaturgy, he ensures that every soundtrack is a perfect match for the film's emotional narrative.

Expertise

  • Music Supervision
  • Clearance Management
  • Score Supervision
  • Musical dramaturgy

Erfahrung

Many years of experience in film and TV music support, specializing in emotional sound design.
Dr. Sabine Meier

Dr. Sabine Meier

Music publishing manager

Dr. Sabine Meier

Music publishing manager
Dr. Sabine Meier heads the Music Publishing division as a freelance expert. With her profound legal education and many years of industry experience, she manages DAYDREAM's publishing and legal issues.

Expertise

  • Music Publishing
  • publishing law
  • license management
  • Legal advice

Erfahrung

Doctorate in law specializing in music publishing law, working as a freelancer for many years.
Franko van Lankeren

Franko van Lankeren

Music Supervising & Legal Affairs

Franko van Lankeren

Music Supervising & Legal Affairs
Franko van Lankeren combines creative music supervision with legal expertise. He is the point of contact for complex legal issues and ensures smooth processes in music support.

Expertise

  • Music Supervision
  • Legal Affairs
  • contract law
  • International declaration of rights

Erfahrung

Dual expertise in music supervision and media law, international project experience.
Amra Frers

Amra Frers

Product Management Publishing & Records

Amra Frers

Product Management Publishing & Records
Amra Frers is responsible for product management for publishing and records at DAYDREAM. She coordinates publications and ensures the strategic development of the publishing and label sector.

Expertise

Specialized in publishing administration, modern label management and digital music marketing.

Erfahrung

Graduated as businesswoman for audiovisual media, specialization in the label and publishing sector

Contact

Contact us for your next project.

By Mail

Send us an email.
post@daydream.de

By telephone

Give us a call
+49 (0) 89 41200381

On site

Bauseweinallee 34,
D-81247 München
„The early bird catches the worm"

Onboarding for optimal collaboration

Find out how working with DAYDREAM at an early stage ensures your project success.

Early contact doesn't just help for reliable figures!

Even during the financing phase, we can often provide legal, economic and content experience in music based on the available key data and screenplays, which helps with planning.

Analyze the script in good time before shooting!

We scoff at screenplays and like to talk about initial music ideas with decision makers. We identify musical uses in books and provide assessments of them. In particular, if you want to shoot a song in ON, early communication can be a significant relief.

Communicate with musicians through us!

Whether a film composer or other music partner. We achieve optimal negotiation results with long-standing partners because they communicate with us. If possible, before a personnel or content decision has already been made to the partner. After that, it is often difficult to achieve the desired result.

We provide diplomatic advice...

We support creative decision makers exactly where they want it. In doing so, we fully respect the director's decision-making processes and provide transparent information about economic aspects when selecting original songs.

Would you like suggestions for the picture?

Producer, director, and editing room should be aware of the process if we are to make creative suggestions. The music is created as optimally as possible using ProTools.

Short-term income and long-term value creation

DAYDREAM has been successfully founding and managing music publishers for now 50 TV and film producers for three decades. Here too, the earlier, the more coherent the music or score productions can result in a publishing connection with composers. With its software, our administration is excellently positioned by international standards.

Frequently asked questions

Everything you need to know about our music supervising services.

What does a music publisher do?

A music publisher manages and markets the copyrights of composers and songwriters. DAYDREAM has founded over 50 publishers and takes care of GEMA registration, licensing, rights management and the worldwide marketing of musical works. We ensure that authors are fairly remunerated and that their works are optimally exploited — from the initial idea to international marketing.

Can you also help with soundtrack marketing?

Of course! As a full-service agency, we also take on the marketing and distribution of soundtracks. From digital distribution to physical release and professional radio sampling — we ensure that your film music reaches the audience and is optimally marketed.

Do you also work with international productions?

Yes, absolutely! With over 30 years of experience, we have built up a worldwide network and work regularly with international productions. Our team is familiar with the various legal systems and licensing models of different countries.

What are the costs of music supervising?

The costs depend on the scope of the project, the desired music and the license fees. We prepare an individual offer for each project and provide you with transparent advice on all costs involved — from our services to music rights.

How long does a typical project take?

The duration of the project varies depending on the scope and complexity. Movies usually take 6-12 months from initial consultation to final delivery, while TV productions can often be realized in 2-4 months. We will guide you through all phases of production.

What is music supervising?

Music supervising includes the creative and administrative support of all musical aspects of a film or TV production. This includes selecting and licensing music, working with composers, coordinating all legal and budgetary aspects of film music, and radio sampling for optimal marketing of the soundtrack.